{"id":4046,"date":"2017-08-03T09:15:56","date_gmt":"2017-08-03T07:15:56","guid":{"rendered":"http:\/\/www.ub-comm.de\/?p=4046"},"modified":"2018-04-30T15:49:28","modified_gmt":"2018-04-30T13:49:28","slug":"legendaeres-album-von-zazou-bikaye-cy1-wird-als-vinyl-wiederveroeffentlicht","status":"publish","type":"post","link":"https:\/\/www.ub-comm.de\/?p=4046","title":{"rendered":"Legend\u00e4res Album von Zazou Bikaye CY1 wird als Vinyl wiederver\u00f6ffentlicht"},"content":{"rendered":"<p>Am 27.10.2017 wird das Vinyl des<a href=\"https:\/\/www.ub-comm.de\/wp-content\/uploads\/2017\/08\/Zazou-Bikaye-CY-1-Noir-et-Blanc-Cover-cram025_lores.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.ub-comm.de\/wp-content\/uploads\/2017\/08\/Zazou-Bikaye-CY-1-Noir-et-Blanc-Cover-cram025_lores-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignright size-medium wp-image-4048\" srcset=\"https:\/\/www.ub-comm.de\/wp-content\/uploads\/2017\/08\/Zazou-Bikaye-CY-1-Noir-et-Blanc-Cover-cram025_lores-300x300.jpg 300w, https:\/\/www.ub-comm.de\/wp-content\/uploads\/2017\/08\/Zazou-Bikaye-CY-1-Noir-et-Blanc-Cover-cram025_lores-150x150.jpg 150w, https:\/\/www.ub-comm.de\/wp-content\/uploads\/2017\/08\/Zazou-Bikaye-CY-1-Noir-et-Blanc-Cover-cram025_lores-768x768.jpg 768w, https:\/\/www.ub-comm.de\/wp-content\/uploads\/2017\/08\/Zazou-Bikaye-CY-1-Noir-et-Blanc-Cover-cram025_lores-1024x1024.jpg 1024w, https:\/\/www.ub-comm.de\/wp-content\/uploads\/2017\/08\/Zazou-Bikaye-CY-1-Noir-et-Blanc-Cover-cram025_lores.jpg 2000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a> legend\u00e4ren Albums <em>Noir et Blanc<\/em> endlich wieder erh\u00e4ltlich sein \u2013 und das in einer von den originalen Analog-B\u00e4ndern remasterten Deluxe-Version mit neuen Liner Notes und einem Downloadcode f\u00fcr acht Tracks, f\u00fcnf davon bislang unver\u00f6ffentlichte Demos sowie drei Original-Remixe aus dem Jahr 1984.<\/p>\n<p><em>Noir et Blanc<\/em> wird als Afro-Electro-Meilenstein angesehen und war das Ergebnis einer Zusammenarbeit der experimentellen Komponisten Guillaume Loizillon &#038; Claude Micheli unter ihrem Pseudonym CY1, des kongolesischen Musikers und S\u00e4ngers Bony Bikaye und des bekannten franz\u00f6sischen Komponisten Hector Zazou im Jahr 1983 in Br\u00fcssel. Au\u00dferdem waren unter anderem dabei: Marc Hollander von Aksak Maboul und Crammed Discs-Labelgr\u00fcnder, Fred Frith, V\u00e9ronique Vincent und JF Jones Jacob III (beide Honeymoon Killers) und Vincent Kenis, der sp\u00e4ter als Produzent der Congotronics-Reihe bekannt wurde.<\/p>\n<p>Marc Hollander erz\u00e4hlt in den Liner Notes \u00fcber die Entstehungsgeschichte des Albums: \u201eHector Zazou came to Brussels to record this album for Crammed in June \u201883. With him were Congolese singer &#038; musician Bony Bikaye, and Guillaume Loizillon &#038; Claude Micheli, two Frenchmen who immediately proceeded to set up their wall-sized modular analog computers. These beasts dated back to the early \u201870s, and seemed monstrous and antediluvian even then&#8230;. Loizillon &#038; Micheli (aka CY1) were strange characters: they seemed to behave and talk somewhat like electricians or garage mechanics, kept plugging and unplugging thick wires, used screwdrivers and pliers, had a very down-to-earth approach, and used their own special vocabulary to describe the incredible sounds they were producing (\u2018Hey, let\u2019s make the Chinese hat more pointed!\u2019). Zazou acted like a director, selecting the textures, building up the dramatic action. Bikaye built his parts into the grooves and added layers and layers of vocals. He had written some of the song structures, melodies and lyrics while they worked on demos at the Anagramme studio, near Paris. However, as these modular synths weren\u2019t equipped with memory capacity, CY1 had to recreate the sequences, so the starting points for these definitive versions were quite different from those in the demos, and Bikaye beautifully adapted what he had written. Some of the pieces were started from scratch. Several ingredients were added as they went along\u2026. A good deal of structuring took place during the mixdown: there was no automation at the time, so several pairs of hands (in this particular case: Vincent\u2019s, engineer Gilles Martin\u2019s and mine) had to keep hovering over the mixing board, opening and closing tracks, sending instruments into effects, all in real time, dub-style&#8230; a very exciting process, which left a lot of room for accidents and unpredictable sonic events.\u201d<\/p>\n<p><strong>Weitere Informationen:<\/strong><br \/>\n<a href=\"https:\/\/www.facebook.com\/ZazouBikaye\/\" target=\"_blank\">https:\/\/www.facebook.com\/ZazouBikaye\/<\/a><\/p>\n<p><strong>ZAZOU BIKAYE CY1 <\/strong><br \/>\nVinyl Re-Release: <em>Noir et Blanc<\/em><br \/>\nV\u00d6: 27.10.2017<br \/>\nLabel: Crammed Discs<br \/>\nVertriebe: Indigo<br \/>\nBestellnummer: cram025LP<br \/>\nFormat: remasterte LP + DL-Code f\u00fcr Bonustracks + 4c-Booklet mit neuen Liner Notes<br \/>\nUPC: 876623007784<br \/>\nLabelcode: 08689<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Am 27.10.2017 wird das Vinyl des legend\u00e4ren Albums Noir et Blanc endlich wieder erh\u00e4ltlich sein \u2013 und das in einer von den originalen Analog-B\u00e4ndern remasterten Deluxe-Version mit neuen Liner Notes und einem Downloadcode f\u00fcr acht Tracks, f\u00fcnf davon bislang unver\u00f6ffentlichte Demos sowie drei Original-Remixe aus dem Jahr 1984. Noir et Blanc wird als Afro-Electro-Meilenstein angesehen und war das Ergebnis einer Zusammenarbeit der experimentellen Komponisten Guillaume Loizillon &#038; Claude Micheli unter &hellip; <a href=\"https:\/\/www.ub-comm.de\/?p=4046\">Weiterlesen <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":4048,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[2869,1346,4039,4034,125,4036,83,35,4037,1633,424,4035,1772,1683,195,4038,95,4033,1679,589,1356],"class_list":["post-4046","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-tour-dates","tag-afro-electro","tag-aksak-maboul","tag-anagramme-studio","tag-bony-bikaye","tag-brussel","tag-claude-micheli","tag-congotronics","tag-crammed-discs","tag-cy1","tag-fred-frith","tag-gilles-martin","tag-guillaume-loizillon","tag-hector-zazou","tag-honeymoon-killers","tag-indigo","tag-jf-jones-jacob-iii","tag-marc-hollander","tag-noir-et-blanc","tag-veronique-vincent","tag-vincent-kenis","tag-vinyl"],"_links":{"self":[{"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=\/wp\/v2\/posts\/4046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4046"}],"version-history":[{"count":0,"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=\/wp\/v2\/posts\/4046\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=\/wp\/v2\/media\/4048"}],"wp:attachment":[{"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4046"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4046"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}