{"id":3809,"date":"2016-12-01T11:17:12","date_gmt":"2016-12-01T10:17:12","guid":{"rendered":"http:\/\/www.ub-comm.de\/?p=3809"},"modified":"2018-11-28T18:16:55","modified_gmt":"2018-11-28T17:16:55","slug":"lula-pena-mit-neuem-album-bei-crammed-discs","status":"publish","type":"post","link":"https:\/\/www.ub-comm.de\/?p=3809","title":{"rendered":"Lula Pena mit neuem Album bei Crammed Discs"},"content":{"rendered":"

Die portugiesische S\u00e4ngerin, Komponistin, \"lula-pena-archivo-pittoresco-cover-cram270_lulapena_lores\"<\/a>Gitarristin und Lyrikerin Lula Pena folgt nur ihren eigenen Regeln \u2013 in ihrer Musik wie auch in ihrer Karriere. Nur zwei Alben hat sie seit 1998 ver\u00f6ffentlicht, aber damit etwas Seltenes erreicht: sie hat eine treue Fangemeinde in der ganzen Welt, die mit jeder ihrer seltenen und intensiven Auftritte weiter w\u00e4chst. <\/p>\n

Lula Penas Stimme ist tief bewegend, ihr Gitarrenstil eigen, ihr Ansatz sowohl hoch emotional wie auch konzeptionell. Sie hat eine fast schamanenhafte Art, mit ihrer Gitarre komplett zu verschmelzen, wenn sie eines ihrer langen St\u00fccke spielt und Holz, Saiten, Worte, der menschliche K\u00f6rper, Atem und Stimme allesamt in ein \u00fcbernat\u00fcrlich Ganzes gleiten.<\/p>\n

Wie ein lebender Organismus ist Lulas Musik. Sie segelt auf einem absonderlichen Ozean, umgeben von Grenzen, die sich Folk, Blues, Flamenco, franz\u00f6sischer Chanson, Phado (so buchstabiert sie selbst das Wort), Bossa Nova oder anders nennen. All diese streift sie, l\u00e4sst aber keine davon intakt so wie zuvor bestehen.<\/p>\n

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Sie sehen gerade einen Platzhalterinhalt von YouTube<\/strong>. Um auf den eigentlichen Inhalt zuzugreifen, klicken Sie auf die Schaltfl\u00e4che unten. Bitte beachten Sie, dass dabei Daten an Drittanbieter weitergegeben werden.<\/p>\n

Mehr Informationen<\/a> <\/div>\n

Inhalt entsperren<\/a> Erforderlichen Service akzeptieren und Inhalte entsperren<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n

Das neue Album Archivo Pittoresco<\/em>, das am 27.01.2017 bei Crammed Discs ver\u00f6ffentlicht wird, ist wie eine Reflektion \u00fcber Lula Penas inspirierte Streifz\u00fcge durch die Welt: die dreizehn St\u00fccke auf dem Album flie\u00dfen nahtlos ineinander \u00fcber, gesungen in Portugiesisch, Franz\u00f6sisch, Englisch, Spanisch, Griechisch oder Italienisch mit Texten von Autoren wie Lula selbst sowie Manos Hadjidakis, Violeta Parra, dem belgischen Surrealisten Scutenaire oder den Komponisten des Original-Twilight Zone<\/em>-Soundtracks und vielen weniger bekannten oder anonymen Autoren. <\/p>\n

Lasst uns der Einladung aus dem letzten Titel des Albums folgen und \u201cCome Wander with [Her]\u201d. <\/p>\n

Lula Pena live
\n09.12.2018 L\u00f6rrach \/ Burghof
\n11.12.2018 A-Wien \/ Sargfabrik<\/p>\n

Lula Pena \u00fcber Archivo Pittoresco<\/em> in ihren eigenen Worten:<\/strong>
\nWith a free-floating open repertoire, a living body behaves differently in every performance. Being ephemeral, the various songs and fragments can connect in infinite ways. Exposed to the circumstances, the quality of the listening versus playing became one linear possibility in this album, just like a photo taken by chance.<\/p>\n

Archivo Pittoresco<\/em> is based on a movement of 19th century painters who explored landscape views and their organic elements, such as ruins, asymmetries, dissonances, uncertainties, shadows etc, an approach which I wanted to try in music. The same path – hands-on experience – wandering borderless and intuitively through different languages and sounds, intending to reach a sort of collective unconscious open source.<\/p>\n

Destiny and destination become the same. I\u2019m more interested in what things have in common, rather than what distinguishes them, aiming at the brain stem that I intuitively sense in all music. To reveal those hidden dimensions through the simplicity of voice and strings, is the subtle experience I want to share within our resonant bodies.<\/p>\n

Lula Pena, Archivo Pittoresc<\/em>o Track-by-track:
\n<\/strong>
\nPoema\/Po\u00e8me<\/em>: one of my texts in french, where the sounds and meanings of the words graphically gives another Semantic perspective, a third possibility of interpretation. Followed by a poem from Belgian surrealist Louis Scutenaire, which in turn gives a simple description of what it is. \u201eJe suis de faim, mille“ versus \u201eJe ne suis pas d’une grande pauvret\u00e9“<\/p>\n

Pesadelo da hist\u00f3ria<\/em> is based on a text by contemporary Brazilian poet Ronaldo Augusto, it relates to the question of African heritage. It says : \u201eThe Black that I am, including my soul“, revealing the slavery we inflict on ourselves.<\/p>\n

Ojos si quereis vivir<\/em> is a song from the 17th or 18th century. A reminder to stay connected to spiritual dimensions. It basically says: trust what comes through your eyes and whatever departs from your eyes\u2026 what comes out of your heart will penetrate your heart, listening to silence as a step towards vision. <\/p>\n

Las Penas<\/em>: on the album, performances are separated into tracks, but the idea is that it is all just one piece, and this is a continuation from the previous song, based on a very old Mexican recording, one of the first Edison recordings. It\u2019s about getting into emotions, and being more corporeal about that, so the notion of desire appears in these lyrics, right after the song about the spiritual realm.<\/p>\n

Rose<\/em> is by Ederaldo Gentil, a Brazilian composer who died last year. Rose is not only the name of a person, but of course also the flower, as well as other Latin phonetics: \u201eWhat happened to Rose?“ might be understood as \u201cwhat do you hear if you dare?“ It is the courage to take an action. To leave one state for another.So it is like a word box that you open and all sorts of possibilities come out from inside this word, leading you to have different interpretations.<\/p>\n

Ausencia<\/em> (Absence) is a song by the great Chilean songwriter and ethnomusicologist Violeta Parra (who pioneered the revival and reinvention of Chilean and Latin American folk music). Absence is a paradox. Our minds and memories never let us be absent. I try to accomplish absence and presence at the same point, when I perform, I would prefer not to be there, but I am there\u2026 This process of musical expression is thinking in real time, in the moment, it allows us to be and not to be there, and it’s amazing when that happens.<\/p>\n

Pes Mou Mia Lexi<\/em> was written by illustrious Greek composer Manos Hadjidakis. The title means Give me the Word. I adopted it a few years ago, when Greece was the first EU country to experience economic collapse, and so we were all Greek, in a lexical world.<\/p>\n

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Sie sehen gerade einen Platzhalterinhalt von YouTube<\/strong>. Um auf den eigentlichen Inhalt zuzugreifen, klicken Sie auf die Schaltfl\u00e4che unten. Bitte beachten Sie, dass dabei Daten an Drittanbieter weitergegeben werden.<\/p>\n

Mehr Informationen<\/a> <\/div>\n

Inhalt entsperren<\/a> Erforderlichen Service akzeptieren und Inhalte entsperren<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n

A Diosa<\/em> (No potho reposare) is a traditional song from Sardinia, in dialect. Many years ago I performed there and someone was singing this song all the time, and I grabbed it, it stayed in my mind for 20 years or more, though I knew just two verses. And after all this time I felt I had to search for it, and I did. It begins by \u201aI cannot relax, I cannot lie down‘.<\/p>\n

O ouro e a madeira<\/em> means \u201eThe Gold and the Wood\u201c. The lyrics say that the oyster lives in the mud and creates beautiful pearls, which is pure alchemical code. They further describe a kind of distillation or reduction process: \u201eI didn’t want to be a field, it would be enough to be but the grain, not to be path but the short-cut, not to be the concert but the song…“.<\/p>\n

Cantiga de amigo<\/em> (Song of a friend). A genre from the medieval period, from the time of the troubadours, focused on female-voiced songs even if written by a man. It\u2019s about discovering new ways of love. Love is wild and free but also mystical and symbolical, so you have that duality, these different levels. So many words for and about love were being invented at that time\u2026 <\/p>\n

Deus e grande<\/em> meaning God is Big, Alla akhbar, etcetera. It\u2019s a contemporary Portuguese poem, from a book called Recognition<\/em>. It\u2019s not about religion in the institutional sense, but about religion in the etymological Latin meaning: re-ligare, making connections, reconnecting. God is just the platform, the web, and you make your own connections, you make yourself believe or trust whatever you are capable of. Not believing might make you even more religious, because you are trying to make all kinds of connections of your own.<\/p>\n

Brevi\u00e1rio<\/em>, or breviary. The word also means \u201eresum\u00e9“, \u201esummary“. It\u2019s about arriving, arriving by boat, stepping from sea to land. What is happening with this membrane between sea and land? These are words by a Brazilian woman essayist, Jerusa Pires Ferreira. She was challenged to write a poem from a photo of a sea view, and a boat arriving to a village. She wrote about the moments before and the after, giving life to that frame.<\/p>\n

Come Wander With Me<\/em>: this is from The Twilight Zone<\/em>, a fragment of the original song from the series. In my concerts, this song used to start the set. An invitation to come and wander through these worlds. Now, on the album, it has become the last song\u2026 maybe it was intentional: a way to incite the listener to come to a live concert, and experience the travelling, the ritual of that direct contact with the performer, which cannot quite be experienced on a record.<\/p>\n

Weitere Informationen:<\/strong>
\nwww.lulapena.com<\/a>
\nwww.facebook.com\/LulaPena.Music<\/a> <\/p>\n

LULA PENA<\/strong>
\nDas Deb\u00fctalbum: Archivo Pittoresco <\/em>
\nV\u00d6: 27.01.2017
\nLabel: Crammed Discs
\nVertriebe: Indigo (CD) \/ PIAS (digital)
\nBestellnummer: CRAM270
\nFormate: CD \/ Digital
\nEAN CD: 876623007548
\nEAN Digital: 5410377903944
\nLabelcode: LC: 08689<\/p>\n","protected":false},"excerpt":{"rendered":"

Die portugiesische S\u00e4ngerin, Komponistin, Gitarristin und Lyrikerin Lula Pena folgt nur ihren eigenen Regeln \u2013 in ihrer Musik wie auch in ihrer Karriere. Nur zwei Alben hat sie seit 1998 ver\u00f6ffentlicht, aber damit etwas Seltenes erreicht: sie hat eine treue Fangemeinde in der ganzen Welt, die mit jeder ihrer seltenen und intensiven Auftritte weiter w\u00e4chst. Lula Penas Stimme ist tief bewegend, ihr Gitarrenstil eigen, ihr Ansatz sowohl hoch emotional wie … Weiterlesen →<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":3811,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[3575,108,3578,4807,1358,3585,35,859,858,11,1857,195,3588,4808,3574,3580,3577,3576,3587,3584,3586,4809,3582,3583,3579,3581,449],"class_list":["post-3809","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-tour-dates","tag-archivo-pittoresco","tag-blues","tag-bossa-nova","tag-burghof","tag-chanson","tag-chile","tag-crammed-discs","tag-fado","tag-flamenco","tag-folk","tag-gitarre","tag-indigo","tag-jerusa-pires-ferreira","tag-loerrach","tag-lula-pena","tag-manos-hadjidakis","tag-phado","tag-portugiesisch","tag-recognition","tag-ronaldo-augusto","tag-sardinia","tag-sargfabrik","tag-scutenaire","tag-surrealist","tag-twilight-zone","tag-violeta-parra","tag-wien"],"_links":{"self":[{"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=\/wp\/v2\/posts\/3809","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3809"}],"version-history":[{"count":0,"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=\/wp\/v2\/posts\/3809\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=\/wp\/v2\/media\/3811"}],"wp:attachment":[{"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3809"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3809"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ub-comm.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}